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Material Art & Design
Return to Faculty of Design Program Guides
Throughout history, humankind has formed and applied clay, textiles and metal to create objects that support human activity and are also expressive art forms. Objects may make statements about birth, death, religion, wealth, and power. Their practical uses include storage, clothing, and adornment. Cultural, artistic and technical progress can be traced through the study of these materials. Today, they are just as relevant, enhancing the built environment and the human body.
Material Art & Design offers areas of concentration in Ceramics, Jewellery/Metalsmithing, and Fibre. These programs allow students to work from either an art or design perspective, and are structured to provide the opportunity for students to achieve their creative potential through the development of concept, visual language, technical skill and personal expression. Historical and cultural contexts are integrated into the learning process.
Graduates of the Material Art & Design program have the opportunity to work in a variety of ways. Many find employment in industries such as commercial textiles, fashion and theatre. Others become gallery curators, teachers, designers, and studio artists.
Ceramics Study in Ceramics focuses on visual and conceptual problem solving, while acquiring technical skills and knowledge of clay and the technology surrounding that material. Exploring the potential of the materials, students gain control over ceramic surfaces and develop their own innovative approach to the medium. Through the exploration of the physical and chemical properties of clay, glazes, mouldmaking and surface manipulation, students create functional or sculptural ceramic objects. Options open to graduating students of ceramics include teaching, working as a studioclay artist and pursuing further studies.
Jewellery/Metalsmithing Jewellery and Metalsmithing are a link to the past and a reflection of our contemporary culture. This program encourages students to look at jewellery/metalsmithing in critical, new or non‑traditional ways, while respecting the materials and skills associated with traditional fine jewellery and object-making. Upon graduation, students in Jewellery/Metalsmithing may work in independent limited-production studios or take up graduate studies.
Fibre The study of Fibre incorporates both textiles and surface/design print. The program encourages exploration and experimentation with fabric and fibre structures on- and off-loom, and incorporates computer‑aided design and surface embellishments such as stitching and beading. Students explore printing techniques on fabric with an emphasis on the study of two-dimensional pattern design, colour and dye chemistry. Students may work from an art or design perspective, incorporating historical and cultural contexts as a point of departure in the evolution of their own personal artistic “voice”. Graduates find employment as designers in industry, fashion and theatre, or may work as studio artists while others continue their studies at the graduate level.
Please refer to the Introduction of New Curriculum.
Material Art & Design Program Guide
Please refer to the Faculty of Design's Degree/Diploma Requirements for information regarding degree and diploma requirements for Design program students.
All Faculty of Design programs are developed as semester groupings of related courses. In order to be best prepared to meet course expectations, students are normally required to complete all core courses in one semester before carrying on to courses in the next semester.
Students must achieve a minimum grade of 60% in their core studio course each semester to advance to the following semester’s core studio. Please refer to course descriptions to identify these courses.
Students will select their area of specialization in Material Art & Design when registering for their 2nd year winter studio courses. Please note that places in these courses are limited and will be available on a first come first served basis. There will be an opportunity in the late fall for 2nd year students to apply to change their selected area of specialization and decisions will be made based on merit and available spaces.
Note: All courses tagged with a “†” require a minimum grade of 60% to advance to the following semester’s core studio.
COURSE CODE |
COURSE NAME |
CREDIT |
|
200 LEVEL: FALL SEMESTER |
VISC 2B22
|
History of Material Arts: Ancient Egypt to Modern Europe (LST) |
0.5 |
GDES 2B03
|
Think Tank/Creative Intersections (SEM) (includes Faculty of Design Speaker Series) |
0.5 |
MAAD 2C04 |
MA&D Studio † |
1.0 |
MAAD 2A01 |
Drawing as a Tool (includes digital workshop) |
0.25 |
|
Total |
2.25 |
|
200 LEVEL: WINTER SEMESTER |
VISC 2B23 |
Cross Cultural Perspectives in Craft (LST) |
0.5 |
VISC 2B38 |
Design Methodologies: Theories and Concepts (LST) |
0.5 |
MAAD 2A02 |
Drawing, Rendering & Visualization Methods |
0.25 |
|
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|
Choose two core studio courses in Ceramics, Fibre, or Jewellery (1.0 credit total) |
|
Ceramics |
|
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MAAD 2B33 |
Ceramics: Exploring Structure (0.5 credit) † |
|
MAAD 2B30 |
Ceramics:Intro to Throwing (0.5 credit) † |
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Fibre |
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MAAD 2B34 |
Structures of Fibre (0.5 credit) † |
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MAAD 2B26 |
Explorations in Fibre (0.5 credit) † |
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Jewellery |
|
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MAAD 2B08 |
Jewellery/Metalsmithing: Casting (0.5 credit) † |
|
MAAD 2B28 |
Jewellery/Metalsmithing: Composition (0.5 credit) † |
1.0 |
|
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Choose one: |
|
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MAAD 2B24
|
Materials, Tools & Technology/Ceramics: Mouldmaking Design † |
|
or |
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MAAD 2B27 |
Materials, Tools & Technology/Fibre: Pattern Design † |
|
or |
|
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MAAD 2B29
|
Materials, Tools & Technology/Jewellery/Metalsmithing: Fabrication † |
0.5 |
|
Total |
|
2.75 |
|
300 LEVEL: FALL SEMESTER |
VISC 3B11 |
Design Methodologies: Theories & Concepts (LST) |
0.5 |
|
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Third-Year Core Exploration Studio Course Offerings – Fall |
Choose two (2 x 0.5 = 1.0 credits) |
|
Ceramics |
|
|
MAAD 3B40 |
Ceramics: Throwing Workshop (0.5 credit) † |
|
MAAD 3B04
|
Ceramics: Throwing Techniques & Form Development 2 (0.5 credit) † |
|
MAAD 3B30 |
Ceramics: Approaches to Applied Imagery (0.5 credit) † |
|
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Fibre |
|
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MAAD 3B01 |
Dyeing (0.5 credit) † |
|
MAAD 3B34 |
Intermediate Studies in Fibre (0.5 credit) † |
|
MAAD 2B05
|
Printing on Fabric: An Introduction to Surface Design (evening course) (0.5 credit) † |
|
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Jewellery |
|
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MAAD 3B13 |
Jewellery: Practical Theory: Setting (0.5 credit) † |
|
MAAD 3B17 |
Jewellery: Intermediate: Structure (0.5 credit) † |
1.0 |
|
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Choose one: * |
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MAAD 3B39
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Fibre: Implementing the History of the 19th and 20th Century (SEM) † |
|
or |
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MAAD 3B38
|
Jewellery: Implementing the History of the 19th and 20th Century (SEM) † |
0.5 |
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* Note: Students in Ceramics (whose History is not available in 2005/2006) should complete a Liberal Studies course in its place this year and take the History next year when it is offered. |
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Choose one: |
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GDES 3B18 |
Biomimetics 1: Points of Departure |
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or |
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GDES 3B15
|
Furniture Design 1 (taken with Furniture Design 1 Lab/Wood) |
|
or |
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GDES 3B06 |
Guerrilla Entrepreneurism 1 |
|
or |
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GDES 3B16 |
Wearable Technology |
|
or |
|
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INTR 3B01 |
Virtual Communities |
|
or |
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another studio in MAD |
|
or |
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Year two core studio in another Design program (subject to approval 0.75 cr) |
|
or |
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|
or |
relevant course in Faculty of Art (subject to approval) |
0.5 |
|
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300 LEVEL: WINTER SEMESTER |
|
One Liberal Studies course |
0.5 |
GDES 3A01 |
Think Tank/Convergence |
0.25 |
MAAD 3B05 |
Research & Preparation (SEM) |
0.5 |
MAAD 3A01 |
MA&D Visiting Lecture Series (SEM) |
0.25 |
|
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Third-Year Core Exploration Studio Course Offerings – Winter |
Choose one: |
Ceramics |
|
|
MAAD 3B07 |
Ceramics: Concept Development (0.5 credit) † |
|
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Fibre: |
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MAAD 3B20 |
Exploration: Context in Textiles (0.5 credit) † |
|
MAAD 3B33
|
Constructed Textiles: Advanced Pattern Design (0.5 credit) † |
|
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Jewellery |
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MAAD 3B14
|
Jewellery: Development for Production (includes digital workshop) (0.5 credit) † |
|
MAAD 3B15 |
Jewellery: Concept Development (0.5 credit) † |
|
MAAD 3B41 |
Silversmithing (0.5 credit) † |
0.5 |
|
|
|
Choose one: |
|
|
GDES 3B19 |
3D Structures in Fibre |
|
or |
|
|
GDES 3B10 |
Art of Presentation |
|
or |
|
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GDES 3B28 |
Biomimetics 2: Application |
|
or |
|
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GDES 3B25 |
Furniture Design 2 |
|
or |
|
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GDES 3B06 |
Guerrilla Entrepreneurism 1 |
|
or |
|
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GDES 3B26 |
Guerrilla Entrepreneurism 2 |
|
or |
|
|
INTR 3B02 |
Bright Lights/Big City |
|
or |
|
|
|
another studio in MAD |
|
or |
|
|
|
Year 2 core studio in another Design program (subject to approval 0.75 cr) |
|
or |
|
|
|
relevant course in Faculty of Art (subject to approval) |
0.5 |
|
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Recommended |
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SCTM 2B01 |
Introduction to Biology (LST) |
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SCTM 2B04 |
Biological Principles of Sustainability (LST) |
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400 LEVEL: FALL SEMESTER |
|
One Liberal Studies course |
0.5 |
MAAD 4C01
|
Thesis II: Project Development (plus Thesis Open Studio) |
1.0 |
MAAD 4B03 |
Internship |
0.5 |
|
one elective |
0.5 |
|
Recommended: |
|
|
SOSC 3B02 |
Material Culture and Consumer Society (LST) |
|
VISC 2B12 |
History of Design: Indigenous and Vernacular (LST) |
|
VISC 3B32 |
History of Furniture (LST) |
|
VISC 4B15 |
Urban Life: Art, Design and the City (LST) |
|
CRCP 4B03 |
Visual Culture Publications |
|
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400 LEVEL: WINTER SEMESTER |
Choose one: |
|
|
|
One Studio/Seminar |
|
or |
One Liberal Studies course (for Degree students) |
0.5 |
MAAD 4C02
|
Thesis III: Project Development (plus Thesis Open Studio) |
1.0 |
MAAD 4B04 |
Professional Practice |
0.5 |
|
one elective |
0.5 |
|
|
|
Recommended: |
|
|
VISC 3B32 |
History of Furniture (LST) |
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