In the Material Art & Design program we explore the connection between the hand, eye and mind as experienced in the making and using of functional and non-functional craft objects. This hands-on and theoretical study of materials focuses on the potential of objects to perform functions, express culture and act as metaphors essential to add meaning to daily life.
Students in the program select a major specialization in Fibre or Jewellery/Metalsmithing and may take electives or a minor in Ceramics. Each area delivers a traditional and contemporary studio-based education with a focus on the development of expertise in: making and using materials; understanding the context in which to situate the work; the development of critical thinking, ethics and responsibility; as well as the ability to incorporate hand techniques with new technologies.
The curriculum taught in the program has been developed to meet the needs of craft practitioners in the art and design fields who are directed towards diverse paths which include: small batch production; one-of-a-kind and custom functional and wearable object making; gallery exhibiting; critical design; designing for interiors and industry; and graduate studies. Students may choose to graduate with either a BDes or a BFA.
Jewellery/Metalsmithing
This program encourages students to look at jewellery and metalsmithing in critical, new or non‑traditional ways, while respecting the materials and skills associated with traditional fine jewellery and object making. The full range of courses offered cover fabrication methods, gem setting, silversmithing, concept development, production techniques and rapid prototyping.
Fibre
This program encourages students to investigate fibre materials and processes using both an art-based and applied-design approach. Two main areas of study, constructed textiles (weaving) and surface design (printing and dyeing), are complemented with courses in concept development and non-woven processes such as felting, papermaking and embellishment techniques. Students use traditional techniques and computer-aided design to develop innovative functional products and non-functional artwork.
Ceramics
The Ceramics studio offers a range of courses that explore inventive ways of making ceramics for domestic, industrial and architectural settings. Through the study of the physical and chemical properties of clay, glazes, mouldmaking and surface manipulation, students create functional or sculptural ceramic objects.
Please refer to the Design Programs: Introduction.
Please refer to the Faculty of Design's Degree/Diploma Requirements for information regarding degree and diploma requirements for Design program students.
All Faculty of Design programs are developed as semester groupings of related courses. In order to be prepared to meet course expectations, students are normally required to complete all core courses in one semester before carrying on to courses in the next semester.
First-year students will select their area of specialization in Material Art & Design when registering for their first-year winter studio courses. Second-year students will select their area of specialization in Material Art & Design when registering for their second-year winter studio courses. Please note that places in these courses are limited and will be available on a first-come, first-served basis.
Students must achieve a minimum grade of 60% in at least one of their core studio courses each semester (tagged with “†”) to advance to the following semester’s core studio.
A minimum overall average of 65% must be achieved at the end of fourth year in all designated courses (tagged with “∆”) of the student’s major/program.
Note: All courses tagged with “*” are included in the First Year Software program. (For first year only, Material Art & Design students are not a part of the Laptop Program.)
Note: Students in this Major or Minor Program Area in upper years are included in the Laptop Program, and are required to pay the associated fees for software and support. Click http://www.ocad.ca/laptopprogram for further info regarding the Laptop Program. Click http://www.ocad.ca/students/financial_matters/tuition_fees/laptop_program_fees.htm for info regarding Laptop Program Fees.
COURSE CODE | COURSE NAME | CREDIT |
100 LEVEL: FALL SEMESTER PLEASE PAY CLOSE ATTENTION TO COURSE DESCRIPTIONS FOR SPECIFIC CONDITIONS REGARDING ADVANCEMENT TO FUTURE COURSES. | ||
GDES 1B25 | Form & Structure ∆ | 0.5 |
GDES 1B24 | Colour and Two-dimensional Design (If English is not your first language, consider enrolling in English Language Pathway, a special offering for ESL students in First Year Design.) |
0.5 |
GDES 1B22 | Drawing for ID & MAAD | 0.5 |
Must take LBST 1B03 (and one of LBST 1B11 or LBST 1B12 or LBST 1B13 if you don't take one in the winter) | ||
LBST 1B03 |
Introduction to Visual Studies II: History and Culture since 1500 (LST) |
0.5 |
LBST 1B11 | The Essay and the Argument: Mechanics (LST) (fall or winter) | 0.5 |
or | ||
LBST 1B12 | The Essay and the Argument: ESL (English as a Second Language) (LST) (fall and winter) (continues in winter) | |
or | ||
LBST 1B13 | The Essay and the Argument: Rhetoric (LST) (fall or winter) | |
100 LEVEL: WINTER SEMESTER PLEASE PAY CLOSE ATTENTION TO COURSE DESCRIPTIONS FOR SPECIFIC CONDITIONS REGARDING ADVANCEMENT TO FUTURE COURSES. | ||
GDES 1B21 |
Experience Design – 3D * |
0.5 |
MAAD 1B04 | Drawing for Material Art & Design | 0.5 |
MAAD 1B03 | Methods of Material Practice | 0.5 |
Choose one MAAD Studio: | 0.5 | |
MAAD 1B01 | Material Art & Design Studio: Fibre (0.5 credit) †∆ | |
or | ||
MAAD 1B02 | Material Art & Design Studio: Jewellery (0.5 credit) †∆ | |
Must take LBST 1B02 (and one of LBST 1B11 or LBST 1B12 or LBST 1B13 if you didn't take one in the fall) | ||
LBST 1B02 | Introduction to Visual Studies I: History and Culture to 1500 (LST) | 0.5 |
LBST 1B11 | The Essay and the Argument: Mechanics (LST) (fall or winter) | 0.5 |
or | ||
LBST 1B12 | The Essay and the Argument: ESL (English as a Second Language) (LST) (fall and winter) (continues from fall) | |
or | ||
LBST 1B13 | The Essay and the Argument: Rhetoric (LST) (fall or winter) | |
200 LEVEL: FALL SEMESTER PLEASE PAY CLOSE ATTENTION TO COURSE DESCRIPTIONS FOR SPECIFIC CONDITIONS REGARDING ADVANCEMENT TO FUTURE COURSES. | ||
VISD 2B22 | History of Material Arts: Ancient Egypt to Modern Europe (LST) |
0.5 |
GDES 2B03 | Think Tank 1: Awareness (SEM) | 0.5 |
MAAD 2B01 | Intro to Fibre †∆ | 0.5 |
MAAD 2B14 | Intro to Jewellery/Metalsmithing: Fabrication †∆ | 0.5 |
MAAD 2B35 | Drawing as Process | 0.5 |
200 LEVEL: WINTER SEMESTER PLEASE PAY CLOSE ATTENTION TO COURSE DESCRIPTIONS FOR SPECIFIC CONDITIONS REGARDING ADVANCEMENT TO FUTURE COURSES. | ||
VISA 2B07 | History of Modern Art (LST) | 0.5 |
VISD 2B38 |
Design Thinking (LST) recommended; for other VISA/VISD/VISM options see list at the end of this document (permission of MAAD Chair required for substitution) |
0.5 |
Choose two core studio courses in Fibre or Jewellery (1.0 credit total) |
1.0 | |
Fibre | ||
MAAD 2B34 | Fibre: Constructed Design 1 (0.5 credit) †∆ | |
MAAD 2B27 | Fibre: Surface Design 1 (0.5 credit) †∆ |
|
Jewellery | ||
MAAD 2B08 | Jewellery/Metalsmithing: Casting (0.5 credit) †∆ | |
MAAD 2B29 | Jewellery/Metalsmithing: Fabrication 2 (0.5 credit) †∆ | |
Choose the course that supports your area of specialization: | 0.5 | |
MAAD 2B26 | Fibre: Explorations (0.5 credit) †∆ | |
or | ||
MAAD 2B28 | Jewellery/Metalsmithing: Composition (0.5 credit) †∆ | |
300 LEVEL: FALL SEMESTER PLEASE PAY CLOSE ATTENTION TO COURSE DESCRIPTIONS FOR SPECIFIC CONDITIONS REGARDING ADVANCEMENT TO FUTURE COURSES. (NOTE: Starting in 2011/2012, Material Art & Design students must complete all required courses from third year before accessing MAAD 4C01 Thesis II: Project Development.) | ||
Choose one course: | 0.5 | |
SCTM 2B01 | Introduction to Biology (LST) | |
or | Choose one SCTM liberal studies course (see suggested list at the end of this document.) | |
Third-Year Core Studio Course Offerings – Fall | ||
Choose two (2 x 0.5 = 1.0 credits) | 1.0 | |
Fibre | ||
MAAD 3B01 | Fibre: Dyeing (0.5 credit) †∆ | |
MAAD 3B34 | Fibre: Constructed Design 2 (0.5 credit) †∆ | |
MAAD 3B43 | Fibre: Surface Design 2 (0.5 credit) †∆ | |
Jewellery | ||
MAAD 3B13 | Jewellery: Practical Theory: Setting (0.5 credit) †∆ | |
MAAD 3B17 | Jewellery: Intermediate: Structure (0.5 credit) †∆ | |
Choose the course that supports your area of specialization: | 0.5 | |
MAAD 3B38 | Jewellery: Implementing the History of the 19th and 20th Century (SEM) (0.5 credit) †∆ |
|
or | ||
MAAD 3B39 | Fibre: Implementing the History of the 19th and 20th Century (SEM) (0.5 credit) †∆ |
|
Choose one expansion studio from the list provided at the end of this document. | 0.5 | |
300 LEVEL: WINTER SEMESTER PLEASE PAY CLOSE ATTENTION TO COURSE DESCRIPTIONS FOR SPECIFIC CONDITIONS REGARDING ADVANCEMENT TO FUTURE COURSES. (NOTE: Starting in 2011/2012, Material Art & Design students must complete all required courses from third year before accessing MAAD 4C01 Thesis II: Project Development.) | ||
VISD 3B41 | Cross Cultural Issues in Craft (LST) | 0.5 |
MAAD 3B05 | Thesis I: Research & Preparation (SEM) † | 0.5 |
Choose one: | 0.5 | |
MAAD 3B46 | Drawing and Rendering: Fibre (0.5 credit) | |
or | ||
MAAD 3B45 | Drawing and Rendering: Jewellery (0.5 credit) |
|
Third-Year Core Studio Course Offerings – Winter | ||
Choose one: | 0.5 | |
Fibre | ||
MAAD 3B20 | Fibre: Concept Development (0.5 credit) †∆ | |
Jewellery | ||
MAAD 3B15 | Jewellery: Concept Development (0.5 credit) †∆ | |
MAAD 3B41 | Silversmithing (0.5 credit) †∆ | |
Choose one expansion studio from the list provided at the end of this document. | 0.5 | |
400 LEVEL: FALL SEMESTER PLEASE PAY CLOSE ATTENTION TO COURSE DESCRIPTIONS FOR SPECIFIC CONDITIONS REGARDING ADVANCEMENT TO FUTURE COURSES. | ||
Choose one course: | 0.5 | |
SOSC 3B02 | Material Culture and Consumer Society (LST) | |
or | Choose one SOSC liberal studies course (see suggested list at the end of this document.) | |
MAAD 4C01 | Thesis II: Project Development (plus Thesis Studio) †∆ |
1.0 |
Choose the course that supports your area of specialization: | 0.5 | |
MAAD 4B07 |
Fibre: Design 3 (0.5 credit) †∆ |
|
or MAAD 4B08 |
Jewellery: Development for Production |
|
Choose one expansion studio from the list provided at the end of this document. | 0.5 | |
400 LEVEL: WINTER SEMESTER PLEASE PAY CLOSE ATTENTION TO COURSE DESCRIPTIONS FOR SPECIFIC CONDITIONS REGARDING GRADUATION REQUIREMENTS. | ||
See Faculty of Liberal Arts & Sciences | Choose one 300 or 400 level English (ENGL) or Humanities (HUMN) course (see suggested list below) | 0.5 |
MAAD 4C02 | Thesis III: Project Development †∆ (plus Thesis Studio) |
1.0 |
MAAD 4B04 | Professional Practice | 0.5 |
Choose one expansion studio from the list provided below. | 0.5 | |
Recommended Expansion Studio Courses (subject to being offered): | ||
GDES 3B10 | Art of Presentation | |
GDES 3B18 | Biomimicry 1: Points of Departure | |
GDES 3B28 | Biomimicry 2: Application | |
MAAD 2B24 | Ceramics: Mouldmaking | |
GDES 3B79 | Children's Toy Design and Invention | |
GDES 3B73 | Critical Design Studio | |
GDES 4B13 | Designing Across Difference: Aboriginal Communities | |
GDES 3B36 | Domestic Ceramics: Exploring the Useful Object | |
GDES 3B40 | Exploration, Insight and Foresight in Design (SEM) (not offered in 2011/2012) | |
GDES 3B46 | Explorations in Architectural Glass | |
GDES 3B51 | Fibre: Wearable Form 1 | |
GDES 3B80 | Fibre: Wearable Form 2 | |
GDES 3B52 | Fibre: 3D Structures in Sculptural Form (not offered in 2011/2012) | |
GDES 3B37 | Fibre: Explorations in Paper and Felt (formerly Investigations of Non-Woven Structures) (not offered in 2011/12) | |
GDES 3B15 | Furniture Design 1 (taken with Furniture Design 1 Lab/Wood) |
|
GDES 3B25 | Furniture Design 2 (taken with Furniture Design 2 Lab/Wood) |
|
GDES 4B11 | Furniture Design 3 (taken with Furniture Design 3 Lab/Wood) |
|
GDES 3B06 | Guerrilla Entrepreneurship | |
GDES 3B49 | Image and Clay: Exploring the Ceramic Surface | |
GDES 3B27 | Interactive Communication: Clever Devices | |
GDES 3B24 | Interior Design Studio | |
MAAD 2B15 | Intro to Ceramics (not offered in 2011/2012) | |
GDES 3B43 | Jewellery Design: Architectural Hardware (not offered in 2011/2012) | |
GDES 3B34 | Jewellery Design 1: An Introduction | |
GDES 3B50 | Jewellery Design 2: Alternative Materials (not offered in 2011/2012) | |
GDES 3B57 | Living Environments: Design Theory (formerly Living Environment Design Studio 1) | |
GDES 3B58 | Living Environments: Design Practices(formerly Living Environment Design Studio 2) | |
GDES 3B35 | Mapping the Body (not offered in 2011/12) | |
GDES 3B66 | Materials Research Library/Internship | |
GDES 3B20 | Small Object Design: Virtual to Reality 1 | |
GDES 3B78 | Small Object Design: Virtual to Reality 2 | |
GDES 3B12 | Socially Responsible Design Practices (not offered on 2011/2012) | |
INTR 3B05 | Special Topics: Art & Design Education Lab | |
GDES 3B54 | Think Tank 2: Consideration (SEM) | |
GDES 4B08 | Think Tank 3: Action (SEM) | |
GDES 3B56 | Universal Design | |
GDES 3B59 | Urban Design Ecology (formerly Urban Landscape Ecology) (SEM) (not offered in 2011/2012) | |
DIGF 3B01 | Virtual Communities and Environments (SEM) | |
GDES 3B16 | Wearable Technology 1 | |
GDES 3B44 | Wearable Technology 2 | |
INTR 4B01 | Witness: History, Memory and Creative Response | |
or |
another studio in MAAD | |
or |
relevant course in Faculty of Art or Design (subject to approval - contact Design Office) |
|
Recommended Faculty of Liberal Arts & Sciences liberal studies courses (subject to being offered): | ||
ABVC 2B01 | The Story of Us, Aboriginal Peoples of the Americas | |
ENGL 3B04 | Science and Technology in Literature | |
ENGL 3B06 | Studies in Canadian Literature | |
ENGL 3B08 | Ways of Telling: Aboriginal Literature and Narrative Tradition | |
ENGL 4B04 | Diasporic Writings | |
HUMN 3B01 | Reading Popular Culture | |
HUMN 3B05 | Environmental Ethics | |
HUMN 3B09 | Introduction to Gender Studies | |
HUMN 3B10 | Multicultural Social Ethics | |
HUMN 3B13 | Stuff: Material Culture and the Meaning of Things | |
HUMN 3B25 | Imagining Nation: Canada's Cultural History | |
HUMN 3B92 | Special Topic: Extraordinary Bodies | |
HUMN 4B01 | Modernism: Critical Perspectives | |
HUMN 4B04 | Health and Wellness: Ethics and Cultural Politics | |
HUMN 4B18 | Postmodernism: Critical Perspectives | |
SCTM 2B07 | Introduction to Inclusive Design | |
SCTM 2B10 | Introduction to Psychology | |
SCTM 2B22 | Topics in the Science of Colour | |
SCTM 3B04 | Biological Principles of Sustainability | |
SOSC 3B03 | Sociology of the Body | |
SOSC 3B04 | Childhood, Families and Social Change | |
SOSC 3B05 | Social Psychology and Consumer Behaviour | |
SOSC 3B27 | Human Factors for Designers | |
SOSC 4B02 | Gender, Globalization and Social Change | |
VISA 2B13 | History of Photography | |
VISA 2B31 | History of Printing and Printmaking | |
VISA 2B32 | Canadian Art: The Modern Era | |
VISA 3B03 | Contemporary Canadian Art | |
VISA 3B37 | The History and Theory of Art Criticism | |
VISA 3B42 | Critical Issues & Ideas in Contemporary First Nations Art | |
VISA 3B45 | South Asian Art and Culture: Multiple Modernisms | |
VISA 3B47 | Art & Fashion | |
VISA 3B96 | Special Topic: Aboriginal Cultural Politics: Gender, Art and Activism | |
VISA 4B02 | Performance and Performativity | |
VISD 2B01 | History of Modern Design | |
VISD 2B10 | History of 20th Century Architecture | |
VISD 3B27 | Human Factors for Designers | |
VISD 3B32 | The History of Furniture | |
VISC 4B15 | Urban Life: Art, Design and the City | |
VISD 4B19 | Contemporary Studies in Architecture and Design | |
VISM 2B08 | Film Studies: An Introduction | |
VISM 4B24 | The Body and the Machine: Interrogating the Posthuman in Art and Design | |
Last Modified:1/24/2012 12:57:30 PM